![]() It is all at once distinctly abnormal yet strangely soothing. The strict divide between primary colors is visually appealing yet also evocative of the simplicity of children’s media. At the height of their happiness, the cinematography presents their intimacy as perfectly ordered-the bright red of Chen Ching’s sweatshirt nestled on Chen Po-Ching’s light blue that in turn rests on a solid yellow pillowcase. Likewise, the cinematography of their blissful relationship highlights the ways their lives appear to fit perfectly together. She both shares his anxieties yet challenges him to be more resilient. Chen Ching appears to be a perfect romantic fit for Chen Po-Ching. With an additional character in each frame, the shots are more colorful and the tone even more otherworldly. The start of Chen Po-Ching’s relationship with Chen Ching takes this aesthetic style even further. Even in the film’s brightest moments, the music, while enjoyable, is prominent enough to feel intrusive-hinting at how Chen Po-Ching’s routines ultimately burden him even if they give him comfort. When Chen Po-Ching’s routine veers off-track, the score becomes subtly discordant, which adds an underlying anxiety to what might otherwise appear as a normal shopping trip. With its strange instruments and quirky percussion, IWeirDo’s score has an otherworldly sound that accentuates its protagonists’ mental and emotional states. The film’s music, too, mirrors this strong aesthetic choice. However much Chen Po-Ching acknowledges his OCD prevents him from living a “normal” life, the perfectly manicured order provides him a sense of stability. Despite his latent anxiety, the tone of this section is light-hearted and whimsical. He spends much of his day cleaning, and only leaves his apartment on the 15th of each month to run errands. This first half of IWeirDo centers on Chen Po-Ching’s OCD symptoms and his need to keep a strict routine and a tightly controlled environment. These frames are aesthetically stunning, with the careful framing of a perfect corner between purple and pink walls mirroring the rigid cleanliness of IWeirDo’s characters. Even Chen Ching’s hair reflects this color-blocked order, with clear dividing lines between her black roots, her green hair, and her blue tips. The characters’ solid-colored clothing pops off the equally solid-colored walls of their living spaces. juxtaposes to create dramatic visual contrast) bright primary colors to different areas of the frame. This Instagram-esque aesthetic has a stark and vivid palette that color-blocks (i.e. Like a perfectly curated Instagram post, each frame is precisely arranged to either create symmetry in an otherwise chaotic setting (a subway car, for instance) or to create a sense of visual order and organization. The cinematography in this section feels painfully evocative of the order that Chen Po-Ching requires to alleviate his anxiety. IWeirDo spends the first half of its runtime using a vertical aspect ratio reminiscent of static social media posts. Perfect Order Courtesy of Activator Marketing Company. By using different color palettes, musical scores, and even aspect ratios, IWeirDo deftly transitions from an upbeat, quirky romcom to a somber relationship drama. IWeirDo shifts its visual and auditory style to mark this change. However, Chen Po-Ching’s OCD symptoms suddenly stop one day-mismatching the two’s lives and straining their young relationship. Their relationship blossoms based on shared experiences with OCD, radically changing both of their normal routines for the better. ![]() During a scheduled trip out of his apartment, Chen Po-ching meets someone with similar symptoms-a studio art model named Chen Ching. Due to his OCD, Chen Po-Ching experiences intense anxiety if he fails to follow specific behavioral rituals, such as a strict daily routine. The film follows Chen Po-Ching, a young translator who suffers from Obsessive-Compulsive Disorder (OCD). With its bright pops of color and unconventional aspect ratio, IWeirDo’s compelling visual and musical artistic vision vibrantly brings to life the emotional states of its complex characters. Taiwanese filmmaker Liao Ming-Yi’s stylish 2020 romantic comedy IWeirDo accentuates its strong themes of romance and mental illness with a striking cinematographic style.
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